| 41 |
Popular fiction in World War One |
An argument for a more nuanced assessment of the popular literature consumed by the wider public… |
Jane Potter |
| 42 |
Wartime Art and Grief |
German women and the aesthetics of loss portrayed through art during the First World War. |
Claudia Siebrecht |
| 43 |
W.B. Yeats and the Ghost Club |
Dr Tara Stubbs uses exciting new research findings to discuss the close links between Yeats's… |
Tara Stubbs |
| 44 |
Shedding light on the dark ages |
The Dark Ages are traditionally seen as nasty, brutish and short - a cultural and intellectual… |
Janina Ramirez |
| 45 |
The Merchant of Venice |
This lecture on The Merchant of Venice discusses the ways the play's personal relationships are… |
Emma Smith |
| 46 |
Taming of the Shrew |
Emma Smith uses evidence of early reception and from more recent productions to discuss the… |
Emma Smith |
| 47 |
A Midsummer Night's Dream |
This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to… |
Emma Smith |
| 48 |
Language and History |
Prof. Simon Horobin examines how the English language has changed over time, addressing such vexed… |
Simon Horobin |
| 49 |
Much Ado About Nothing |
Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John,… |
Emma Smith |
| 50 |
The Better Part of Valour |
Combatant Courage on the Western Front. |
Edward Madigan |
