| 21 |
Acting Masterclass: "Lend me your ears" |
A second Masterclass on how Shakespeare spins rhetoric for the actor, with Sam Leith, journalist… |
Gregory Doran, Sam Leith |
| 22 |
Acting Masterclass: "Lend me your ears" |
A practical Masterclass with Greg Doran from the Royal Shakespeare Company on how Shakespeare spins… |
Gregory Doran, Sam Leith |
| 23 |
Acting Masterclass: 'Pyramus, you begin' |
A practical Masterclass looking at what clues Shakespeare puts into the verse for the actor.… |
Gregory Doran |
| 24 |
Acting Masterclass: 'Pyramus, you begin' |
A practical Masterclass with Greg Doran from the Royal Shakespeare Company looking at what clues… |
Gregory Doran |
| 25 |
The Merchant of Venice |
This lecture on The Merchant of Venice discusses the ways the play's personal relationships are… |
Emma Smith |
| 26 |
Taming of the Shrew |
Emma Smith uses evidence of early reception and from more recent productions to discuss the… |
Emma Smith |
| 27 |
A Midsummer Night's Dream |
This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to… |
Emma Smith |
| 28 |
Much Ado About Nothing |
Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John,… |
Emma Smith |
| 29 |
Hamlet |
The fact that father and son share the same name in Hamlet is used to investigate the play's… |
Emma Smith |
| 30 |
As You Like It |
Asking 'what happens in As You Like It', this lecture considers the play's dramatic structure and… |
Emma Smith |
