| 11 |
King Lear |
Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King… |
Emma Smith |
| 12 |
King John |
At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the… |
Emma Smith |
| 13 |
Pericles, Prince of Tyre |
Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the… |
Emma Smith |
| 14 |
Richard III |
In this thirteenth lecture in the Approaching Shakespeare series the focus is on the inevitability… |
Emma Smith |
| 15 |
The Comedy of Errors |
Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical… |
Emma Smith |
| 16 |
Henry IV part 1 |
Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John… |
Emma Smith |
| 17 |
The Tempest |
That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest… |
Emma Smith |
| 18 |
Antony and Cleopatra |
What kind of tragedy is this play, with its two central figures rather than a singular hero? The… |
Emma Smith |
| 19 |
Twelfth Night |
The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio -… |
Emma Smith |
| 20 |
Titus Andronicus |
Focusing in detail on one particular scene, and on critical responses to it, this sixth Approaching… |
Emma Smith |
