| 31 |
The Tempest |
That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest… |
Emma Smith |
| 32 |
Antony and Cleopatra |
What kind of tragedy is this play, with its two central figures rather than a singular hero? The… |
Emma Smith |
| 33 |
Richard II |
Lecture eight in the Approaching Shakespeare series asks the question that structures Richard II:… |
Emma Smith |
| 34 |
Twelfth Night |
The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio -… |
Emma Smith |
| 35 |
Titus Andronicus |
Focusing in detail on one particular scene, and on critical responses to it, this sixth Approaching… |
Emma Smith |
| 36 |
The Winter's Tale |
How we can make sense of a play that veers from tragedy to comedy and stretches credulity in its… |
Emma Smith |
| 37 |
Macbeth |
In this fourth Approaching Shakespeare lecture the question is one of agency: who or what makes… |
Emma Smith |
| 38 |
Measure for Measure |
The third Approaching Shakespeare lecture, on Measure for Measure, focuses on the vexed question of… |
Emma Smith |
| 39 |
Henry V |
The second lecture in the Approaching Shakespeare series looks at King Henry V, and asks whether… |
Emma Smith |
| 40 |
Othello |
Othello - First in Emma Smith's Approaching Shakespeare lecture series; looking at the central… |
Emma Smith |
