Early Modern Drama on the Page and Stage
Image
Many books and university courses, trying to compensate for a history of the neglect or mistrust of plays as performance, use the phrase ‘from page to stage’ to think about the dramatic possibilities of their texts. In fact, for the early modern theatre, the phrase needs to be the other way around – from stage to page. Plays were performances first, and only later, and then only sometimes, books. This section of Great Writers gathers resources – podcasts, ebooks, websites – to explore the two interconnected lives of the early modern play – as an event in time and space on the stage of the Globe or Blackfriars theatre, and as a material printed object, on sale to Elizabethan and Jacobean readers in the booksellers’ quarter around St Paul’s Churchyard. Read more
| # | Title | Description | Contributor |
|---|---|---|---|
| 1 | The Death Masks of Macbeth | In this short talk Professor Simon Palfrey explores the deathly afterlives of Shakespeare’s ‘… | Simon Palfrey |
| 2 | The Plays of William Shakespeare as published in the first folio of 1623 | ebook version of The Plays of William Shakespeare as published in the first folio of 1623 | |
| 3 | Arden of Feversham | ebook version of Arden of Feversham | |
| 4 | An essay on the character of Hamlet: As performed by Mr. Henderson, at the Theatre Royal in the Hay-Market. | ebook version of An essay on the character of Hamlet: As performed by Mr. Henderson, at the Theatre… | |
| 5 | Why should we study Elizabethan Theatre? | Professor Tiffany Stern of University College, Oxford, discusses her current research and proposes… | Tiffany Stern, Ilana Lassman |
| 6 | Acting Masterclass: "Lend me your ears" | A second Masterclass on how Shakespeare spins rhetoric for the actor, with Sam Leith, journalist… | Gregory Doran, Sam Leith |
| 7 | Acting Masterclass: "Lend me your ears" | A practical Masterclass with Greg Doran from the Royal Shakespeare Company on how Shakespeare spins… | Gregory Doran, Sam Leith |
| 8 | Acting Masterclass: 'Pyramus, you begin' | A practical Masterclass looking at what clues Shakespeare puts into the verse for the actor.… | Gregory Doran |
| 9 | Acting Masterclass: 'Pyramus, you begin' | A practical Masterclass with Greg Doran from the Royal Shakespeare Company looking at what clues… | Gregory Doran |
| 10 | Much Ado About Nothing | Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John,… | Emma Smith |